Flip Side

As they say, “There is always a flip side to every coin.” I have already written about how it is the elite, within any culture, that forms, frames, and defines that culture. The Patriarchy defined woman, but also defined man in that process. It goes, without saying, that it is a hard act to follow.

Seeing as all of these posts are aimed at a discussion of a series of “Feminine” myths, I thought it appropriate to write about the main male myth, here. It is called the Mono-myth, because it is Universal, known, in one form or another, world-wide, and some version of it may be found in most cultures. The Mono-myth is the story of the Hero’s Journey. It isn’t just one story, but comes in many different shapes, formed by the traditions of whatever society created it.

Joseph Campbell, the leading Mythologist of the past century, broke down the Hero’s Journey into 18 stages, or parts. Each stage requires some sort of challenge or test that must be completed before the next stage is entered. Can you see where this is going?

I am not about to outline those entire 18 stages, but will give you a brief synopsis, only.
It all begins in a Common World, where the would be Hero lives an everyday existence. But, there is some sort of problem in that World, a problem that needs to be healed. The young, would be Hero, is called upon, or shanghaied, into going in search of the magic elixir that will help his world. He meets all kinds of people, some are friends, companions on his quest, others are guides or mentors, and of course there are those who will be his sworn enemies. He enters a whole new realm of existence, where he must learn new rules, and earn his own place within that new world. He must face and overcome ordeals, but eventually gets the opportunity to gain possession of the elixir he seeks. To do that, he must fight to acknowledge, accept, and heal his own flawed character. He is, after all, only human, which means he is imperfect. After all of that, having obtained whatever elixir he seeks, he must decide to either continue his questing, or return to his Common World. If he continues the quest, he will meet and must overcome even more obstacles. If he returns home, he must learn that because he has been altered by his experience, home can never really be the same as it once was.

That’s my nutshell version of the Mono-myth. But, you get the idea. Life is a constant battle that must be faced and the individual must pass all these tests, or never become a Hero. Think of King Arthur, Lancelot, and Percival, and the search for the Grail. These were the tales handed down from one generation to the next, that defined what a real man should, or could become.

But, again, we must look at the fact that the elite within any society comprises less than one third of that society. And very few of that small number, ever attain that hallowed definition. Most simply rely on the past, the blood, or name, of some long distant descendant who somehow managed to gain a foothold into those upper echelons. The fact that blood, and fame, is thinned over time, doesn’t seem to enter that reality. Most often, the upper class sees its position as one of privilege, rather than responsibility.

What then, of the common man, the head of the household? That one who will never be a part of that ‘higher’ class? He is still held to that same definition. He never really gets to rest, does he? He must go out and work to provide for his family, but then come home and still be in a constant leadership position. Yes, he may have a wife, but he has also discovered that she might have a mind of her own. He works under the authority of others the majority of the time, but then must take on the mantle of authority in the one place he should be able to find rest. His “partner”, as defined by society, is just another responsibility. How does he find peace, let alone the time and energy it takes to explore his own identity, find his soul, and let that soul speak to him? How does he find worth in his own person? He has been put in a no-win situation. Should it really be a surprise that there is so much anger, violence, and abuse occurring on a daily basis? Constantly needing to prove oneself has its own high level of frustration. Talk about being fitted with an iron belt that has no key.

The problem becomes huge when men are taught to see women as less than, weaker, needing to be taught their place, and to be somehow ‘controlled’ (think of the word submissive). What actually happens here is a constant battle for some sort of control. Some semblance of value and viability. Two partners who have never been taught equal partnership, involved in a constant undefined struggle, underneath the ongoing, sometimes all consuming desire to just find meaning.

Here’s another quote to fuel this discussion:

 

 

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Getting to the Roots

I collect words. About a week after my last post, I found a new (to me) word , in my mail box. The word is deracinate. It literally means: to pull up by the roots. But has come to define the process of isolating, or cutting off, an individual from his/her given culture. It is most often seen as a negative action.

As a former gardener, I’m quite familiar with the process of weeding a garden. When you pull out a plant, roots and all, you clear, and clean the ground for new plantings of your choice. I couldn’t help but think about what I had written in my last post. How much better to eradicate a culture, then to deny it ever existed? At the very least, to shroud it in darkness and cast a shadow of extreme doubt that it ever was a reality? Then replace it with another that is heralded as being only natural, due to its obvious superiority?

But, who defines what is superior? From what I have gathered in exploring the concept of a matriarchy, that culture is most often defined as more egalitarian. That means that the skills and abilities that most supported and allowed the culture to flourish were rewarded, regardless of gender. Female and male were seen as equals, most likely their roles differed, but each role was seen as important to the continuation of the culture itself. And those roles were handed down from one generation to another. The parental figures taught those skills to their offspring. A good example of that can be found in The Clan of the Cave Bear series by Jean M Auel. Yes, it is fiction, but a great deal of study went into the work.

We need to get back to that concept of definition, and who decides what is good, bad, right, or wrong, and what will most likely allow the culture to flourish and continue. The elite, those who hold power, also create the rules concerning and defining good citizenship within that society, as well as who, and how, wrong behavior will be punished.

Thus, we can see how the patriarchy totally redefined the concept and position of women. Being territorial, it applauded physical strength and battle readiness, but at the same time, redefined woman as something less than. She was the “weaker” sex, therefore in need of protecting, and was not allowed to learn the skills that might allow her to defend herself. Because she gave birth, her place was in the home, taking care of his property, and to a great extent, became viewed as his possession right along with all the other household items and whatever animals he might own. She was far closer to nature, and thus must be controlled and trained. And because she was closer to nature, she didn’t possess much ability for logic, being far more emotionally activated. Simply put, she could not be trusted and, for a period of time, was even fitted with a locked metal chastity belt, when her husband was off fighting the good fight, with the single key to that belt kept in his pocket. This was to ensure that her offspring were his and only his, and that his property would descend to his male children.

Of course, there were a few individual women who rose above that definition. Leadership roles, such as queens and heads of convents, and the like. Women who shepherded their households while husbands were off fighting “Holy Wars”, making sure that husband still had a household to return to. They were most often seen as unnatural creatures, anomalies, even witches with dark powers earned through associations with demons and such.

A good example of that would be Sophia, the older sister of Peter the Great of Russia. Peter, and his younger brother, were too young to take the throne. Sophia (a decidedly intelligent and ambitious woman) became Regent of all of Russia and ruled until Peter came of age. She was instrumental in opening trade with a much larger world than the closed Russia that had existed until then. When Peter came of age, one of his first actions was to lock Sophia in a convent cell, where she was stripped of all power, including her name, and where she remained until she died. Peter expanded on those first tentative moves to let Russia join the rest of the world, and is given credit for all of it. Strangely enough, the name Sophia means wisdom, while Peter means rock (as in stone).

I did a twenty page paper on Sophia in College. It took a great deal of digging because, at first, the only quote I could find about her, was from one of the first foreign journalists she had invited into Russia’s closed society. In his words, she was an unnaturally, ugly woman, grossly obese, with a wart on her face that sprouted long hairs. 

This is all to say that the patriarchy, over the course of hundreds of centuries, redefined woman as something else, something different, something other than itself. And over those centuries, women came to view themselves in light of that other definition. If on occasion, she raised her voice to express another opinion, she was more than likely told “not to worry her pretty little head about such matters,” which were obviously beyond her understanding.

But then, the patriarchy made a mistake. Within the past century, it gave her the vote. Perhaps because it believed that wives would automatically follow their husbands preferences, and giving her the vote might actually shut her up. It didn’t. In fact, it had just the opposite effect. She now has a voice and is using it. Not just on her own behalf, but in making her world a better place for all of its members.

Here are some of the synonyms for that original word deracinate: abolish, annihilate, eliminate, erase, expunge, exterminate, extinguish, stamp out, uproot, weed out, wipe out, abate, demolish, efface, extirpate, liquidate, obliterate, off, purge, raze, scratch, scrub, squash, torpedo, total, trash, waste, blot out, do away with, mow down, root out, rub out, shoot down, take out, uproot, wash out.

I also stumbled upon an interesting quote, I thought might be germane to this discussion. What is your response to these words?

No one is ever a victim,
although your conquerors
would have you believe in
your own victim hood.
How else could they
conquer you?

__Barbara Marciniak

 

Matriarchy and the Matter of Bias

“Matriarchy has often been presented as negative, in contrast to Patriarchy as natural and inevitable for society, thus that matriarchy is hopeless. Love and Shanklin wrote:

When we hear the word “matriarchy”, we are conditioned to a number of responses: that matriarchy refers to the past and that matriarchies have never existed; that matriarchy is a hopeless fantasy of female domination, of mothers dominating children, of women being cruel to men. Conditioning us negatively to matriarchy is, of course, in the interests of patriarchs. We are made to feel that patriarchy is natural; we are less likely to question it, and less likely to direct our energies to ending it.”[19]

This quote is from a much deeper exploration of the word, matriarchy, and may be found here:

https://en.wikipedia.org/wiki/Matriarchy

I have attempted to read through the entire article, several times, but most often end by throwing my hands in the air in confusion, or some level of disgust and depression. But the article proves the quote over and over again. We have been led to believe that a Matriarchal society (if it ever existed at all) was, and is wrong and bad, even though many indigenous societies followed a Matralineal practice of defining descent through the mother figure. A practice that also, at some time in the past, included the tradition that the home and its contents were the property of the female head of that residence, and could not be used for any purpose without her express permission and approval.

In her book, The Woman’s Encyclopedia of Myths and Secrets, Barbara G. Walker has an excellent article about Matrilineal Inheritance (p.620 – 624), in which she details how that right of inheritance was bludgeoned by the Patriarchy for centuries, using religion and the Church as a righteous authority, to finally obliterate its reality, ultimately leaving the female of the species, legally unable to own any property at all, including the writing of a will without her husband‘s consent. This Matrilineal descent, and the Patriarchal obsession to wipe it out, is a strong point toward the existence of a Matriarchal society in the time of prehistory. (You don’t work that hard to destroy what is not a threat to continued existence).

Break down the word prehistory, and it might sound something like this: Prior to his story, nothing of real importance existed. Nothing that was note worthy. At best, it is shrouded in darkness and mystery. What might be deduced can only be conjecture and thus, questionable to the highest degree.

I went to College in the 1980’s and early 90’s. One of the most important lessons I learned, early on, is that every writer has a bias, a personal set of views that will form and color her/his writing. That would include my own. I am a female, both old and tired. What I write here will definitely include my personal bias, no matter how hard I attempt to curb that reality. It is not my intent to persuade any individual to believe as I do. But rather, to open a dialogue concerning the constant and ever-prevalent abuse and dismissal of half of the human race.

I will try to do that with the use of myths and symbolism. Those are the things I have studied, as well as writing and History. It is my intention to explore the three major myths concerning Lilith. In order to do that, we must first explore how myths are made, and the manner in which they are used to define both morals and behavior, within society.

Myths are stories. Stories are one of the oldest teaching tools known to humankind. Even before the advent of Language, clans and tribes would gather around a communal fire and act out those behaviors which would best allow the group to survive. A strong warrior would act out his/her actions in battle, so the rest of the clan could learn from them. With language, the stories were told, as well as acted out. And those stories were passed down from one generation to the next, becoming oral traditions. And they continue into the present moment. Go into any library and ask for the Biography section. We still learn from one another’s stories.

And just as a writer can not escape her/his personal bias, it is the same with the Storyteller. A slight inflection of tone, a pointed glance, or the wave of a hand lends more weight to any part of the story being told. And that tone, or added movement, will have an affect on the listener. It will lodge that aspect of the story, more clearly in memory.

Think back to childhood, when someone might have read you a story from a book. The best ones were those that were infused with the sounds and looks of the feelings and attitudes portrayed within the story. Those are the ones you remember, because those actions brought the story to life. They also served to teach you the proper responses to certain life experiences.

When the ‘bad’ guy looks to be winning, we are shocked and surprised. We are also taught to fight back, or to call out for help and protection. And nowhere, has that response failed more drastically than in the experience of sexual abuse and assault, perpetrated against women and children.

March is Women’s History Month. The #MeToo Movement has brought the battle against silence to a public and worldwide forefront. It is so very long overdue. And it is only a first step against the bias toward silencing the acknowledgement of any and all human reality.

I have a question with which to open this discussion: When and how did you learn that it is best not to speak out against unwanted and inappropriate behavior?

My answer to that question can be found, again, in this prior post:

https://1sojournal.wordpress.com/2016/11/12/when-someone/

Elizabeth Crawford  3/19/2018

Notes: Image is a line weave drawing (doodle) done in colored inks.

 

Beginning

 

I created this blog almost ten years ago, in 2008. And if you take a look through its archives, you will find an assortment of essays, written by me, on numerous different topics, but a majority of them are about writing on a regular basis. Making notes on ones personal experiences, and how one can learn a great deal from engaging in such a practice.

Today, I want to do something different. I have been having some difficulty writing here. I addressed that in my last post about the long-term affects of abuse. Writing it all out did help. But then I realized a few things, as well.

First of all, I finished teaching an online, year-long class about writing ones story. A journey of tremendous undertaking. Then immediately went into a downward spiral about what should follow. And have been dithering around about that ever since. When I finally decided what it was I really wanted to address (something concerning Women’s Issues), it occurred to me that it is incredibly timely at this juncture of the human story. Should I keep it in a closed classroom with a small number of women, or open it up to a wider audience? And just how might I go about doing that?

First of all, I started making notes, a simple outline. I taught the stuff about twenty-five years ago, but it remains clearer in my mind than any other class I taught at that time, actually, any class I ever taught. However, that doesn’t make me an expert. Far from it. I had the freedom, back then, to teach whatever I chose, and it was always about my own experiences and what I had learned by reading and writing. I would always mention the books where I had gathered those ideas. So, I went looking for the one book I could clearly remember using for this topic. Couldn’t find it. I’ve moved a few times since those teaching years, and it has obviously been lost. I searched online, but again, too much time has passed, and I couldn’t find what I was looking for.

Given that reality, I realized that I couldn’t really teach the class, or so I thought. Then it occurred to me that I could just share the information here. These pages and posts are my personal opinion, nothing more. They explain how I came to know what I know, and am the creature I have become.

So, this is a beginning. The first in a series of posts (have no idea how many) about a subject I studied in great detail, simply because it interested me, but then brought me a great deal of knowledge and understanding about myself, my own experience, and that of the many women who inhabit my world. It is about myth, but a certain set of myths. It is about how myths are made, and of what they are made, and why they have such a deep effect on how we come to view our world, and our very lives, and our place in that world.

I will suggest other posts that you might want to read, perhaps even a poem or two. I enjoy comments, and will endeavor to respond to whatever thoughts or questions you, the reader, might choose to share. And that begins now. This is a post I wrote several months ago. Although it came out of my personal experience, and has a bit of political flavor, what is important here, are the thoughts about the matriarchy which held sway before the patriarchy that conquered it, and how that conquering took place. Please read it:

https://1sojournal.wordpress.com/2016/11/12/when-someone/

Thanks for reading.

Elizabeth Crawford 3/8/2018

Notes: Image is a digital painting that came about as I was playing with colors. It is titled, “Prayer At Dawn.”

I’ve been holding onto this draft, still dithering, lol, but today is International Women’s Day, and suddenly, I knew it was time.

 

 

 

The Deer

Two days ago, I wrote a poem. That shouldn’t come as a shock to anyone, seeing as I have been writing poetry for almost forty years. And yet it was a shock to my own person. And that statement begs an explanation. So, here goes:

I am a former abuse victim, both psychological, as well as physical and sexual. That might not be news for many of you who have read my stuff in the past. But what I want to write about today is the reality of the long term affects of being such a victim. Yes, I am a survivor, but I am also very human. Which means I was conditioned to accept that kind of treatment, and learned some ways to deal with that reality. The main one was to silence myself. I have to be very clear here: I didn’t understand that I was silencing myself, I thought I was keeping me safe.

When anger or violence came into my present moments, I became the deer frozen in the headlights of any oncoming vehicle. I would still myself, because to do otherwise was to make myself the focus of that oncoming rage.

But then I went to college and found words and writing, but especially poetry. It was really difficult to allow myself a voice of any kind. I had to constantly fight my own ingrained response to whatever was happening around me. Eventually, the words won out and I accepted my new role as a writer. And after that, as an advocate for other survivors. It wasn’t easy, life never is.

College is a sheltered environment, meant to create an opportunity for discovery and growth. I flourished there and was scared silly when it ended. But the writing stood me in good stead, brought me awards and acknowledgement that eased the fear, and allowed me to continue. Until recently.

I leapt to join the #Me Too movement. It was something I’d unknowingly waited for almost my entire life. Why wouldn’t I? It was empowering to see and hear all these women speaking their truth. But, then came the Larry Nassar trial. I began shutting down, receding into my quiet, and mostly silent self. The enormity of what this one man did, and was allowed to do over decades, was too much to absorb. And disguising it beneath the white coat of a healer and care giver was beyond comprehension. This was just one privileged man, living in a male-dominated society. How many more could there be?

I turned away from the words. They no longer held meaning for me. Instead, I dove into my quiet escape of visual art. Didn’t realize that I was shutting down. Just taking a break, I told myself. I live in a world that has been completely altered. The man who leads my country is a self-proclaimed abuser of women, who calls his actions “locker-room talk”, and simply denies the numerous accusations that have been brought against him, defining them as lies, falsehoods, and the words of individuals seeking some sort of publicity. And his followers, whipped into a fury by any opposing voices, are willing to do violence both in word and deed, because he encourages that sort of behavior. I live in a world fueled by greed, whose leaders tell us that a massacre of children can only be met by thoughts and prayers, because they get pay-offs for not legislating the sale of guns. I could go on and on, but I won’t.

I’ll go back to the poem I wrote. It was very short, very simple, but I struggled for almost 24 hours about whether or not to post it, before realizing that I had allowed myself to slip back into that victim’s mode of silence. I thought others would laugh at its simplicity. They didn’t. I thought a great many things, before pushing that publish button, but did it anyway. I had to, because I am a writer, and words are the world I live in and have created for myself. And the poem pushed me to continue, to come here today and reassert that reality. I was that deer in the headlights, but I refuse to be frozen, to be silenced, especially by my own fears, old and new.

The poem may be found here:

https://soulsmusic.wordpress.com/2018/02/14/together/

It’s an invitation.

Elizabeth Crawford 2/16/2018

Untitled
Photograph
by
Elizabeth Crawford

 

 

Oblivescence

As a writer, I collect words. Going so far as to receive a new word, in my mailbox each day, from Dictionary.Com. I do that because they are not common words, not the stuff of everyday usage. I actually enjoy exploring their epistemology, where they originated and how they have changed over time, their history. The word that titles this post has been sitting in my mailbox for a week, just waiting for me, because the moment I saw it, I knew I wanted to write about it. But, I also wanted to give myself some time to gather my thoughts, which exploded all over the place when I read its meaning. It means: the process of forgetting.

Because I am also a creator of images (artist), I like to introduce, and enhance my posts with images, my own more often than not. This morning, when I came here, I didn’t have a clue which image I would use, so just started looking through my media library. When I found the one above, I figured it was perfect. It’s a pen and ink line weave doodle I made nine years ago, and it has always made me think of a woman, seated with her back turned, with all of her myriad memories clinging to her. They change and are altered by simply existing, moving one from another, flowing together as memories have a tendency to do. Meaning one thing in the moment, but pulling up others that somehow connect with them. Some of those memories are precious, held and kept close, while others we’d prefer never happened and often push away because they hurt or distress us. But both have value because they help us to understand the individual we have been, and that one we are becoming.

I have good memory function.  Not eidetic, or what is called photographic, but more like good recall. When I read something, and later want to go back and check it out, I can usually remember what book it was in, approximately where in the book it might be located, and sometimes even which page (right or left), and which position (top, bottom, or middle) on that page where it might be found. Of course, add strong emotions ( like relationships) to that, and it becomes a different story.

Forgetting is a natural part of living life everyday. And that has been the cornerstone for all of the writing that I do. If one writes it down, one is far more apt to remember it, most of the time. Writing it down means making note of it, making it noteworthy. We make grocery lists because we don’t want to forget what we need when we are there in that huge supermarket being stimulated by all those people and choices, colors and noise, smells, and a ticking clock. How much more important to remember special people we meet, occasions that altered our way of thinking, or changed our patterns of behavior, good or bad? Words that we hope we may always remember, or attitudes we wish to mirror?

We already know that we are prone to forget, to lose track of things we wish to remember. It is a part of life, and a piece of everyone’s experience. It is oblivescence. Although I agree with Clarrissa Pinkola Estes, when she writes that nothing is ever lost from the human psyche, I also know that we do forget, especially when we most truly want to remember. We pick things up and set them down elsewhere, then spend lots of time trying to recall just where we put them. But, like the woman who spends an hour trying to find her glasses, only to find them perched atop her head, instead of on her nose, we have simply placed them elsewhere. Perhaps on the top shelf of a terribly cluttered closet in the back hallway of the mind. Like those bright red mittens, now faded, but kept because they were a gift from someone who truly understood our love of the color and the real warmth behind the giving.

That’s why I really started writing. Keeping notes on what I wanted to remember. I had no way of knowing that it would become more than a desire, but a calling, and eventually a profession I would teach to others. This blog was started ten years ago, and no, I don’t remember everything I’ve written. Which means I come back here, not just as a writer, but also as a reader, pleasantly surprised, at times, to find sense and meaning in what I’ve done. But also to remind myself of who I am, what I want to be, and even how much more I could still do.

The process of forgetting has a purpose. It makes room for more gathering. We want to remember certain things, or deny that others even happened. Memories help us learn, sometimes what we don’t want to be or become. Forgetting is not always a permanent loss, more often it is misplacement. And writing is the greatest tool for keeping certain things where we can find them again, and even learn more from them.

This one word had me pondering for days. And no, I haven’t even scratched the surface of all that it brought to mind. That might come out in further posts. It just helped me to remember how and why I love words enough to keep writing them.

Elizabeth Crawford  2/6/2018

Awakening Moment

When I woke, this morning, an image came into my head. It was a long ago memory, but I suddenly understood something that I have always been curious about. Yes, I am a writer, and have been writing for close to forty years, but I also dabble in visual arts. And have been doing that a lot longer. I call it dabbling because it’s playing, for me. I don’t take it seriously, it’s more of a hobby, a result of my own deeply embedded curiosity. “If I go this way, where will it lead, and what will be the result?” In other words, if it doesn’t work out it’s not a big deal, but it might lead to more ideas, and that is just plain fun.

But, writing is different. It’s far more serious, somehow. When I sit to write, I usually have a simple, but specific plan. A path that includes a beginning, a middle, and an end, a conclusion. Those three things might be represented by no more than three words. The rest is up to me and how well I follow the path I have placed myself on. And, I must add, this is work. It takes careful thought, the ability to choose just the right words, in just the right manner, so that whatever I am choosing to say is comprehensible to others, able to be understood. At least, that is my hope.

The awakening moment, this morning, came from when I was in fourth grade. My teacher had taken me aside and told me that I had been chosen to attend a special drawing class being given on Saturday mornings at another institution. The special class teacher was a well known artist, and I’d have to get permission from my parents to attend. I did so, out of curiosity, and my parents agreed, after an initial period of indecision. I had no idea that I was the only one from my school who would be attending. And, perhaps, the only one invited to do so.

Family dynamics are often a tricky business. My older sister, by three years, had already taken possession of the family’s ‘artist’ designation. In high school, everyone knew that she was headed for a position in the visual arts. After graduating, she worked at a local paper mill as a commercial artist, and later worked for the State Historical Department in the same capacity, while developing her own niche as a painter.

Meanwhile, I found work at a factory, behind a machine, and then became the relief girl as I knew how to work all of them. But, due to physical issues had to quit. Got married and had four kids, and continued to dabble with all kinds of crafts and art projects. Finally decided to try college due to that unstoppable curiosity, and found several things. I could write, I loved learning, and my marriage was a mess. Got a divorce, graduated with two degrees, honors, and later was invited to teach writing at the same University, because one of my poems anchored an anthology that was nominated for a Grammy Award.

Now, back to that awakening moment. Back there, in fourth grade, I had no idea that I had been chosen to participate in a special program. And, although I was often awarded for my artistic talents at school, I also knew it caused a problem at home. I was somehow, inadvertently invading my older sister’s space. The moment, I finally remembered was when that special teacher took me aside after viewing a pencil sketch I had done of my father. She asked me several questions about how I had come to do that, and if I’d ever done anything like it before. I told her the truth. She had told us to try sketching different things in our own home. I’d never tried to draw another person, so decided to try doing a picture of my dad. I didn’t think it was all that good, but she felt otherwise, especially because I was only ten at the time. The following week, I told my parents that I really didn’t want to go back to the class, and they seemed relieved at that decision.

All those years later, in my second year of College, one of the first poems I had ever written, won first place in a writing competition on campus. I dug in and learned as much as possible for the rest of my college career. I had finally found my own space, one in which I wouldn’t be stepping on anyone’s toes. I never lost my play space however. When words fail me, I turn to lines and colors and get lost in them until I find my equilibrium again. In that way, I keep both of my favorite spaces and they serve me well.

Elizabeth Crawford  1/28/2018

Image is a kaleidoscope made from a bonfire photo taken in my sister’s backyard.

The Business

I am back to business, writing. Finishing up a year-long online class, while dipping my toes in something called Micropoetry, but doing it in my own fashion. A poem a day through the month of November. Although I can, and have done, my share of writing form poetry, I definitely have a rebellious streak, and enjoy engaging it, especially when writing. I have decided to define my postings as Stray Thoughts. No particular form, just an exploration of a thought in a conversational format.

Back in college (I attended when entering middle age), I repeatedly heard one rule in all of my Creative Writing classes: Writing is a discipline, there are rules and you must learn all of the rules. Only after first learning all those rules, by practicing them over and over again, may you break them.

Having a rebellious nature, I took that statement as a promise, not a caution. I set about learning the rules (at least most of them), but with one eye on that priceless promise that one day I could (and would) break them.

What can I say? I was already in my late thirties, newly divorced, with four children. I had a great deal of learning to do, and not a lot of time to do it in. Needless to say, it was an intense time period. But, I did learn a great deal, and far more than just the rules of a writing discipline.

For instance, I learned that my fellow students (most of whom were half my age), had a great deal to teach me. They knew that all work and no play makes for a very dull Jack or Jill. Play was a needed release from that intensity of focused learning. And learning how to play with others, is a necessary discipline of living life fully. But, there are rules to that as well. The desire for acceptance and belonging are built in, but can become dangerous if they become the primary goal and engender a loss of individuality. Conformity may look like unity, but in reality, it strips its membership of uniqueness. They, in turn, become susceptible to any false leadership, having given up their own right to determine an individual future.

So yes, I learned how to play, but also how to retain my right to go my own way, and even break the rules where and when it was necessary. Because of my age, my student friends often sought me out for leadership. Sometimes I accepted that role, other times I simply said, “I have to go home, make dinner for my kids, and then study for an exam.” Sometimes leadership is done through example. Not that I knew that at the time, I was still learning, and for me, learning was as much fun, as playing. In a very real sense, learning is playing. Playing with ideas.

So, I’m back in business. I’m writing, doing it in my own way. Do you ever break the rules? How and when?

Note: Image is a pen and ink doodle that always makes me think of how individuality can cuddle up next to conformity and form a better, sometimes even, more pleasing image.

 

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In Black and White

My niece challenged me to participate in the seven day, black and white photo challenge on Facebook. We were to post a b and w photo each day without explanations, and without people in the images. The hardest part, for me, was to challenge someone else each day. I have too many online friends, family, former students etc. But, I did manage it and was surprised at how much I enjoyed it.

I have spent the last three months preparing for an Arts/Craft Fair. Inundating myself with colored kaleidoscope images I’ve created over the past few years. I also created a small, take along coloring book, and a series of Templates for others to color. It turned into a sort of cataloguing experience because I hadn’t really kept track of all the stuff while I was busily entertaining myself by simply playing with them. The Fair was a flop due to mismanagement and other unforeseen factors. And yes, that took the wind out of my sails.

But, the black and white challenge helped me turn the corner and find me again.  You see, I stopped writing during that time period of preparation. And afterward, was finding a blankness every time  I even considered the possibility of doing so. I had ideas, but couldn’t find the thread that would allow me to continue. It wasn’t so much a writing block, as it was more a writing cramp, taking place deep inside of me. I did do some writing, had to, because I’m teaching an online class. But, it was difficult and I felt no real satisfaction in the doing of it. And that has never happened before.

Writing is a door I walked through many years ago. Didn’t know, at the time, that it would become the cornerstone of my existence. That it would be, and become, my truest definition. It fueled all my other creative endeavors.  Especially those that had been dormant for so many years: the sketching (doodling, digital painting, and the love of color). And yet, here I was, almost daily, turning away from this cornerstone, distracting myself with binges of watching old TV series. The very thought of writing brought on that psychological cramp, and I’d come to in the early morning hours, knowing I’d just wasted another day.

I tried to color, even bought myself a new set of pens, different from those I’ve been using for years. Realized I didn’t really understand how to use them, but instead of setting myself the task of learning how to do so, dove right back into the old TV series. But then, came the photo challenge. Black and white, no people, no explanations, but had to be about my life experience.

I have a lot of photos, most of them in color. No problem changing them to black and white, done with one click. These are the first six photos I posted, and what they have come to mean to me personally:

Lightning Strike

Pelicans symbolize buoyancy

 

Nesting

water symbolizes life = ever moving, evolving

individuality – personal power

fawn – deer symbolize the need to be gentle with self

Had no idea I was giving myself such a clear and well defined message. Was far more interested in what I saw in the images without the distraction of all that color. The details began to jump out at me. But now, I had to put up the seventh and final image. It was a toss-up between two images. The first, being a photo of a portion of my library. All my books on writing and things I had published or been a part of publishing, my reference materials, and things I’d used while teaching writing. I hesitated to use that photo, because when my niece had done the challenge, she’d used a photo of her book shelves, and I didn’t want to look like I was out of ideas and copying her.

I got out my camera and started taking pictures of my office. That’s when it hit me. Everyone knows how much I am into dragons. That I see them as teachers, a higher life form, come to help us be better human beings, and especially to help us grow out of old coping mechanisms created when we were children. This was my final b & w photo.

He was a gift from one of my students and takes a prominent center place on the upper tiers of my huge desk. He’s actually a large sculpted candle (never to be burned), deep purple with bright red sparkling eyes. Purple is the color of personal power and red is the color of Creative Fire. His name is Neosaphalus and I do believe we are back in business.

Elizabeth Crawford  10/24/2017

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Respect

Yesterday, a poetry prompt site I often respond to, asked for poems concerning the subject of respect. (http://poetryblogroll.blogspot.com/ ) The deference we offer, as individuals, to those around us. Although several things came to mind, when I read the prompt, I decided to let it go because I’m still quite busy getting ready for the Art Show, and had taken part in an interview, on the same site, the day before, using most of the day to respond to the comments from individuals within that community. They had given me, a great deal of respect for my ideas, as well as my poetry.

I usually begin my day, by coming here to my computer and checking out what is going on in the world around me. Imagine my surprise, when the first article I read was from Reuters, about how Mexico has sent a group of aid workers to Texas to help with the relief of the victims of Hurricane Harvey. That article may be found here:
https://www.yahoo.com/news/mexicos-red-cross-delivers-aid-storm-ravaged-houston-024412762.html

Given the fact that our president has, to some degree, been elected because of his desire to build a wall on our border to Mexico, and has just recently pardoned a man who defied the law in order to continue his personal persecution of those of Latino descent, such an act on the part of the Mexican Government is beyond amazing. What’s more, it is deserving of the greatest respect we, as a nation, have to offer.

Over the past year, our world has been seeded with an astounding amount of division, mistrust, and outright hatred. It has affected everyone. The dis-ease we feel is a palpable presence in our everyday lives. And affects even the most mundane activities we are involved in. I, for one, have little or no desire, to go out into such a world. Fear is crippling, and it is growing stronger every day, fed by the divisiveness of distrust and explosive anger, and fueled by leaders who see diversity and science as weaknesses, instead of the strength and progress they underscore.

Into all of this distress comes a Hurricane. A deluge of tragedy, crippling loss and unbelievable harm. Thousands evacuated from their homes, left with nothing to begin again. And yet, Mexico, with every right to turn its back, instead offers aid and solace. And by doing so, gives us the greatest show of respect one might offer to another. One can only hope we are wise enough to extend our own respect in return. Given the opportunity to learn what might be the greatest lesson humanity can encounter, I must applaud and humbly say, “Thank you.”

Elizabeth Crawford  8/31/2017

Notes: Image is a digital painting done many years ago, with the help of a friend whom I deeply respect and care about.

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